As part of the acquisitions process, we took a direct approach by identifying individuals and communities with relevant objects and reaching out to them as a team effort. This included hours of online research, contacting private sellers, and building relations.

Many of those we contacted responded with genuine interest in the project. Once it became clear that their items were being considered for a national collection, we were surprised to find that sellers often adjusted their prices (sometimes frustatingly low!), offered additional material, or shared personal stories connected to the objects which we have archived. The work also opened up new relationships with potential future contributors.

Stephen (pictured), an original Northern Soul scenester, provided a remarkable selection of memorabilia, including bags and ephemera connected to iconic venues like Wigan Casino. Alongside the material, he has shared his memories of travelling to all-nighters, collecting patches, and the community built around the music. 

Phillipa (pictured), provided some brilliant photos of herself wearing the flapper dress in the 1980s alongside a photograph of her grandmother, the original owner of the dress.